The Da Vinci Code

10.05.04 | 30 Comments | Filed Under Uncategorized

I’ve been debating whether I really had to write a review on The Da Vinci Code, but what the hell! Here goes.

I bought it impulsively at a book exhibition I recently visited, more out of curiosity than the hype that surrounded it. And finished it in one sitting; never mind that it cost me a good night’s sleep. For those who already either haven’t read it or don’t know the story, here goes (no, I haven’t included any spoiler here): a renowned curator of Louvre Museum is murdered. He leaves behind strange clues during the final moments before his death. Among others, the clue contains a call for a Harvard Symbologist, Robert Langdon who is brought to the museum by the cops. The curator’s granddaughter, a cryptologist arrives there, too after she has read the clues, given to her for deciphering. The cops suspect nay, are sure that Robert is the murderer. The cat-and-mouse game begins then.

What is interesting is that each clue leads them to another clue which in its turn leads them to yet another clue (all clues are enciphered using historical and mythological symbols) and so on.

While this book is like any other thriller–suspense, chase, tense moments, the rest–it differs in its presentation, drawing from a range of sources. Dan Brown, the author’s research shows great depth both in scope and like I said, presentation. He exposes several myths about our commonly-accepted understanding of historical “truths,” the life and events of Jesus Christ for one. If you set aside the thriller aspect of this book, it serves a valuable cause of educating the reader. It explains symbology, concepts and terms used in the art world, in a layman’s language. To me, it opened a whole new world by exposing me to the Priory of Sion (now I’m hunting for information about this all over the Web), and Mary Magdalene (whom the Church has painted as a whore who tempted Jesus).
Aside: Any pointers to resources are welcome and appreciated.

However, the biggest disappointment is the suspense. By the end of about 300 pages, it is pretty easy to find out who the killer is–rather, who is responsible for the curator’s murder.

Overall, a good read. A recommended buy.

PS: Also read JK’s review on this book.

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