The Burkha Is Intact

11.26.07 | 15 Comments | Filed Under Commentary, Indian Politics, Islam Watch, Media Watch, War on Communism

I rubbed my eyes upon reading the teaser to this article:

We are quick to condemn the lunatics who wield trishuls and wear saffron. But isn’t it time that the skull-capped and long-bearded version of fanaticism receives our contempt too? Barkha Dutt examines.

Reading the whole article assuaged my fears. It (re)confirmed established scientific truths: the Sun rises in the East. The Burkha is intact.

Burkha Barkha Dutt is courageous in parts, though. She condemns a "fringe Muslim group," but omits mentioning the "warnings" of Jamiat-ul-Ulema-e-Hind concerning the recent Calcutta riots. She damns the "literary philosopher" Chief Minister. The latter act though, calls for courage considering that her boss, Prannoy Roy has family ties with a certain Karat.

Now, to the meaty pieces.

The BJP is upset at the writer [Taslima Nasrin] being tossed around from state to state like a “football” and wants India to grant Nasreen a permanent visa and political asylum. In other words, it’s quite happy for Islam to be brought under the microscope of literary scepticism. But if Husain wants to interpret Hindu goddesses in his characteristically iconoclastic style, that’s not just unacceptable. It’s reason enough to send him to jail.

Let’s grant Burkha Barkha that the BJP is a party of morons. Would she explain a trifle about Husain’s "characteristically iconoclastic style" of interpreting Hindu goddesses? There’s absolutely no "style" of "interpreting" Hindu goddesses. The entire spectrum of Hindu philosophy, painting, sculpture, music, and literature "interprets" (to use to her term) Hindu goddesses in one or all of these ways:

  • As a supreme/divine being worthy of worship
  • As one’s own mother–birth-giver, nourisher, and protector
  • As the destroyer of evil–the whole gamut of demons, etc
  • More philosophically, as a symbol of the Infinite

All other portrayals–as the epitome of Supreme Feminine Beauty (for example, in the classic Soundarya Lahari), she is still addressed as the mother of the universe–as Kali, her terrible form is invoked specifically to violently destroy evil. Show me one Hussain Masterpiece that portrays at least one of these symbolisms. That shows Burkha’s Barkha’s deceptive shrewdness. Her run-up to the Nasrin controversy interestingly, showcases the author’s work and her personality than try and give us insights into why she is a controversial figure.

Nasreen may well be an attention-seeker who is compulsively provocative and over-simplistic in her formulations on Islam and women. Her literary worthiness could be a matter of legitimate dispute and her eagerness to reveal her personal sexual history a complete turn-off.Many of her critics condemn the Bangladeshi writer for her propensity to ‘seek trouble’ in a country that has been generous enough to offer her asylum.

Not a word hints at the root of the real problem: the status of women in Islam.

And then, the putsch:

Have we been less hypocritical than our political leaders? Or have our positions, too, been coloured by prejudice?

An article dripping with prejudice asks this soul-searching question. She can start the de-prejudicing process with herself. Her response to last year’s Varanasi Blasts is a candidate for scholarly study on said prejudice.

Here is the final, unmistakable proof that Barkha’s Burkha is intact.

We are quick to condemn the lunatics who wield trishuls and wear saffron. But isn’t it time that the skull-capped and long-bearded version of fanaticism and hooliganism receives our contempt in exactly the same measure?

It takes exactly two words to say what she has said with such literary flourish: Islamic lunatics.

I hope that’s what she meant.

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